I think it was mostly a desire to be more hands on in my design work. My background is in both sculpture and digital arts and sitting in front of a computer day in day out was becoming less appealing. The whole letterpress direction was a bit of chance really. I was lucky enough to stumble on an old Heidelberg printing press and an impulsive purchase led to me jumping in head first. That was just over 3 years ago now.
After purchasing the first press I spent a full year getting to know the printing process, meeting with with other printers and learning as much as I possibly could. I’m still learning every day but I love the challenge.
Our wholesale stationery line is in the development stages at the moment and has been very enjoyable to work on.
I absolutely love collaborating with other small businesses and have been lucky enough to work with a variety of fantastic Scottish companies. Be it developing branding ideas or helping to turn ideas into products, it’s a very rewarding part of the job. The Hunter Press is still young so I’m looking forward to seeing what projects and opportunities arise in the future.
Digital is always written to be the future of printing but there is an increasing interest in traditional print methods and appreciation for the craft of print. I think letterpress will always remain a ‘luxury’ product in the world of print but one that more and more people are recognising and turning to for that marketing ‘edge’. There are some fantastic collaborations happening at the moment with modern technologies such as 3D printing and more traditional print practices, which is exciting to see.
I think the biggest challenge has been juggling everything. s a sole trader, you have to take on every role - printer, accountant, sales, designer, marketing team, admin, press engineer... it’s definitely a daily challenge.
Develop as many professional connections as you can early on and take time to maintain those relationships. There is a huge maker community out there full of advice and support.
Factories